Satadru Sovan Banduri
Multidisciplinary Artist | Fulbright Scholar | Curator | Researcher | Performance Artist | NFT & New-Media Innovator
“Exploring the shifting relationship between technology, ecology, identity and the human condition through art.”
Introduction
Satadru Sovan Banduri is an internationally active Indian multidisciplinary artist, Fulbright Scholar, curator, researcher, performance artist and new-media practitioner whose work moves across the boundaries of painting, digital art, generative NFT practice, immersive installation, performance and experimental technology-driven art.
Known for an interdisciplinary practice that brings together traditional visual language and emerging media, Banduri investigates some of the defining concerns of the contemporary world, including ecological collapse, gender politics, displacement, posthuman identity, technological transformation and humanity’s changing relationship with the natural environment.
He is the Founder and Director of HD BOX (Hexxyduxxybox), an international platform dedicated to performance and behavioral art, and the visionary behind the International Behavioural Art Festival, an initiative developed to encourage experimental, collaborative and transnational artistic dialogue.
Alongside his independent artistic practice, Banduri is pursuing doctoral research and was awarded the prestigious Fulbright Fellowship for engagement with the Digital Arts and New Media (DANM) program at the University of California, Santa Cruz.
His career reflects the convergence of artistic experimentation, academic research, international cultural exchange and socially engaged practice.
Artistic Identity
Satadru Sovan Banduri’s work is defined by a refusal to remain within a single medium.
His practice moves fluidly between:
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Canvas Painting
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Digital Art
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Generative Art
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NFT-Based Practice
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Immersive Installation
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Light-Based Art
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Performance Art
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Experimental New Media
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Curatorial Research
This multidisciplinary approach allows him to explore how contemporary identity is shaped by technology, environment, politics and social structures.
Rather than treating art as a purely visual object, Banduri often approaches it as an evolving field of experience—one in which the body, image, technology, ecology and social memory intersect.
Ecology, Humanity & Posthuman Identity
A major strand of Banduri’s recent work investigates the increasing fragility of the relationship between human civilisation and the natural world.
Through non-linear visual narratives, he juxtaposes images and ideas associated with endangered and extinct species, ecological vulnerability and human uncertainty.
These visual encounters raise questions about:
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Environmental destruction
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Climate anxiety
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Human dominance over nature
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Species extinction
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Collective responsibility
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The future of human identity
His practice asks viewers to reconsider the idea of humanity as separate from nature and instead recognise the complex systems connecting human existence with other species and ecological environments.
Gender, Politics & Social Structures
Banduri’s work also engages deeply with questions of gender, power, social identity and political structures.
Rather than offering fixed interpretations, his works create spaces where multiple identities, experiences and social realities can coexist.
Through performance, digital imagery and experimental visual forms, he examines how personal identity is shaped by:
Culture • Politics • Technology • Gender • Geography • Memory
His work frequently challenges conventional classifications, encouraging audiences to reflect on the structures that define bodies, identities and social belonging.
Art, Technology & New Media
Technology occupies an increasingly important position within Satadru Sovan Banduri’s artistic practice.
His engagement with NFTs, generative art, digital environments and immersive technologies represents a broader exploration of how artistic authorship and cultural memory are changing in the digital age.
For Banduri, new media is not simply a technological tool.
It becomes a space in which questions of:
Ownership • Identity • Representation • Memory • Accessibility • Global Exchange
can be reconsidered.
This approach has positioned his practice within the evolving dialogue between contemporary art and digital culture.
TECHNÉ DISRUPTORS
One of the significant recent milestones in Banduri’s new-media trajectory has been TECHNÉ DISRUPTORS, a pioneering art-tech-NFT exhibition bringing perspectives from the Global South into international contemporary-art discourse.
Presented at High Line Nine Gallery, New York, the project brought South Asian artistic narratives into conversation with digital technology, blockchain-based art and emerging forms of cultural representation.
The exhibition reflected a larger shift in contemporary art by asking how artists from the Global South can participate in and reshape conversations around technological innovation.
For Banduri, the project represented an important intersection of regional identity, emerging technology and international artistic exchange.
DESH: Homelands
Banduri’s collaboration with The Upside Space, associated with Dubai and Singapore, extends his exploration of identity and digital practice through DESH: Homelands.
The curated NFT-based project examines themes of:
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Homeland
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Migration
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Belonging
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Identity
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Cultural memory
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Displacement
Through this initiative, digital art becomes a means of examining what it means to belong to a place in an increasingly mobile, fragmented and technologically connected world.
International Exhibitions
Satadru Sovan Banduri’s work has been presented through exhibitions, performances and projects across a wide international landscape.
His artistic presence has included venues and platforms such as:
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Lincoln Center, New York
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Museum of Art and History, Santa Cruz
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Schema Art Museum, South Korea
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Cheongju Contemporary Art Museum
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International exhibition and cultural platforms across Asia, Europe, Africa and the Americas
His projects have reached audiences in countries and regions including:
United States • Mexico • Germany • Iran • Vietnam • South Africa • Bulgaria • South Korea • India and beyond
Biennales & International Art Fairs
Banduri has participated in international biennales and major art-related platforms, contributing to cross-cultural dialogue between artists, institutions and audiences.
His international engagements include participation connected with biennales in:
Iran • Cheongju • Athens
as well as prominent art-fair environments such as:
Johannesburg Art Fair and India Art Fair
These experiences have helped position his work within a broader international contemporary-art ecosystem.
Global Performance Practice
Performance art forms one of the most important dimensions of Satadru Sovan Banduri’s practice.
He has conducted workshops, performances and collaborative programs across more than 26 countries.
His international performance journey has included engagement with artistic communities in:
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Mexico
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China
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Latvia
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Czech Republic
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Bulgaria
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Bangladesh
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Myanmar
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Sri Lanka
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Nepal
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Colombia
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Brazil
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Mongolia
and numerous other locations.
Through these international exchanges, Banduri has developed a performance language that moves between body, action, environment, politics and social participation.
Performance as Research
For Banduri, performance is not merely an event or spectacle.
It functions as a form of research.
The performing body becomes a site through which he investigates:
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Social structures
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Environmental anxiety
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Human behavior
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Cultural memory
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Gender
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Identity
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Collective experience
This understanding of performance aligns closely with his wider academic and curatorial interests, creating a bridge between artistic practice and critical research.
Founder of HD BOX (Hexxyduxxybox)
Satadru Sovan Banduri is the Founder and Director of HD BOX (Hexxyduxxybox).
The platform was created to support international performance and behavioral art while developing opportunities for:
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Experimental Artists
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Emerging Practitioners
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Researchers
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Performance Artists
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Cultural Institutions
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International Collaborators
Through HD BOX, Banduri has helped build a wider network of artists working across national and disciplinary boundaries.
The platform places strong emphasis on community, experimentation, documentation and global cultural exchange.
International Behavioural Art Festival
Banduri is also the driving force behind the International Behavioural Art Festival.
The festival was established to strengthen awareness and understanding of behavioral and performance art while providing an inclusive environment for experimentation.
Its programs encourage artists to explore contemporary concerns including:
Ecology • Human Rights • Gender • Sustainability • Identity • Social Justice • Community
The festival also creates opportunities for cross-cultural collaboration and artistic dialogue between practitioners from different regions.
Through the initiative, Banduri has contributed to expanding the international visibility of performance and behavioral practices connected with India and South Asia.
Fulbright Scholar & Academic Research
A major academic milestone in Banduri’s career was receiving the Fulbright Fellowship.
His Fulbright engagement with the Digital Arts and New Media (DANM) program at the University of California, Santa Cruz provided an important context for the further development of his interdisciplinary research.
The experience strengthened the relationship between his artistic practice and emerging questions surrounding:
Digital Culture • New Media • Technology • Artistic Research • Contemporary Identity
He is also pursuing a PhD, continuing to develop an academic framework around his creative and research-based practice.
Curatorial Practice
Alongside his work as an artist, Banduri is actively involved in curatorial practice.
His curatorial approach emphasises:
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Transnational artistic exchange
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Experimental artistic formats
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Cross-cultural dialogue
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Emerging artists
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Alternative performance practices
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New-media experimentation
His projects frequently bring together artists from different national, social and creative backgrounds.
Rather than treating curation as simply the presentation of artworks, Banduri approaches it as a process of creating relationships, dialogue and collaborative environments.
Education & Artistic Development
Satadru Sovan Banduri’s academic and artistic development is rooted in formal visual-art education as well as extensive international practice.
His training provided a foundation in visual language and studio practice, while his later engagement with digital art, performance and curatorial research expanded his work into a broader interdisciplinary field.
Over time, this progression has enabled him to move between the roles of:
Artist • Researcher • Performer • Curator • Educator • Cultural Organizer
Artist Residencies
Banduri’s international career includes participation in approximately 25 international artist residencies.
Residencies have played an important role in his artistic development by enabling him to work within different cultural environments and engage directly with:
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Local communities
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Artists
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Cultural institutions
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Researchers
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Alternative creative spaces
These experiences have contributed significantly to the transnational nature of his artistic practice.
Solo Exhibitions
His career includes solo exhibitions and significant individual presentations in countries including:
Mexico • South Korea • Vietnam • United States
These exhibitions have allowed Banduri to present extended bodies of work exploring the intersections between personal experience, social conditions and wider global concerns.
International Performance Works
With more than 70 performance works presented internationally, Banduri has developed a substantial body of performance-based practice.
These works often transform ordinary materials, human gestures and environmental settings into critical artistic experiences.
The ephemeral nature of performance enables him to respond directly to specific places, social contexts and audiences.
Professional & International Associations
Satadru Sovan Banduri is associated with international artistic and research networks.
His roles and professional engagements include:
Board Member — Lock Unlock Performance Art Project
Board Member — Transnational Coalition for the Arts
Contributor — Performance Studies International (PSi) Artistic Research Working Group
Brand Ambassador — Worldwide Peace Marker Project, USA
These associations reflect the international and collaborative character of his career.
Educator & Mentor
Education and knowledge exchange remain important aspects of Banduri’s professional identity.
As an artist and educator, he has led workshops, discussions and performance-based learning activities internationally.
His teaching philosophy encourages participants to:
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Experiment beyond conventional artistic boundaries
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Question established structures
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Develop independent artistic voices
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Explore the relationship between art and society
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Understand contemporary media and technology
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Engage critically with ecological and political issues
Artistic Collections
Works by Satadru Sovan Banduri form part of private and institutional collections.
The presence of his work within different collections reflects the broad range of his artistic practice, from physical artworks to digitally mediated and performance-related projects.
His growing body of work continues to contribute to discussions around technology, ecology, identity and the changing conditions of contemporary life.
International Profile
Over the course of his career, Satadru Sovan Banduri has built a professional practice spanning:
26+ Countries of Workshops & Performances
25 International Artist Residencies
70+ International Performance Works
Multiple Solo Exhibitions
International Biennales & Art Fairs
Digital & NFT Projects
Academic Research
International Curatorial Initiatives
Performance-Art Networks
His career demonstrates a sustained commitment to connecting artistic practice with global cultural dialogue.
Creative Philosophy
At the centre of Banduri’s practice is a fundamental question:
How can art help us understand what it means to remain human in a rapidly changing technological and ecological world?
His work does not separate technology from nature, or identity from politics.
Instead, these forces are treated as interconnected systems.
Through painting, performance, digital environments, NFT practice and installation, he creates situations that encourage viewers to confront both personal and collective responsibility.
Vision
Satadru Sovan Banduri’s long-term vision is to create a more connected, inclusive and critically engaged artistic environment in which practitioners from different cultures can collaborate without being confined by geography, medium or traditional artistic hierarchies.
Through his individual practice, research, curatorial projects, HD BOX and the International Behavioural Art Festival, he continues to develop bridges between:
Art & Technology
Humanity & Ecology
Local Narratives & Global Dialogue
Individual Identity & Collective Experience
Profile Overview
Name: Satadru Sovan Banduri
Nationality: Indian
Profession: Multidisciplinary Artist, Curator, Researcher, Performance Artist & Educator
Academic Distinction: Fulbright Scholar
Research: PhD Candidate
Fulbright Program: Digital Arts and New Media (DANM), University of California, Santa Cruz
Founder & Director: HD BOX (Hexxyduxxybox)
Founder / Visionary: International Behavioural Art Festival
Primary Practices: Painting, Digital Art, NFT Art, Generative Art, Installation & Performance
Key Themes: Ecology, Gender, Posthuman Identity, Technology, Social Politics & Cultural Memory
International Engagement: 26+ Countries
Artist Residencies: 25 International Residencies
Performance Works: 70+ International Works
Professional Networks: Performance Studies International and international performance-art organizations
Special Focus: Art, Technology, Ecology & Human Identity
Professional Identity
Satadru Sovan Banduri represents a generation of contemporary artists for whom the boundaries between physical and digital, traditional and experimental, local and global are increasingly fluid.
His practice brings together the intimacy of painting, the immediacy of performance, the possibilities of digital technology and the critical depth of research.
From gallery spaces and museums to performance festivals, digital platforms and international academic environments, his work continues to examine how contemporary humanity negotiates identity, technology, ecology and power.
Through an artistic journey spanning multiple continents, media and institutional contexts, Banduri continues to develop a distinctive international practice that places experimentation, critical inquiry and cultural exchange at its centre.
